...When you're dreaming about building a Monster Vacuum Tube Amplifier.
As mentioned elsewhere, I provide Professional Sound Services for Car Shows and other events. My dream is to build a vacuum tube power amplifier with sufficient power to use as my main live sound amplifier.
This project is in the early planning/design stages, so don't expect much for now. Here are the basic project requirements:
- The amplifier shall produce approximately 100 Watts (TRMS) per channel into 8 ohm speakers. (Almost 200 Watts total output power).
- The amplifier shall be all tube in the analog signal path.
- It will be a straight Power Amplifier. There will be no volume control or other controls/switches, etc., with the exception of a power switch.
- The amplifier shall provide Balanced inputs via XLR and 1/4" TRS connectors. (Separate or combined connectors). It will also have unbalanced RCA inputs.
- As with my other builds, the Monster Amplifier shall have an internal DAC, and provide USB sound card functionality. An Ethernet connection to support one or more industrial A/V over Ethernet protocols is also a possibility.
- As with my other builds, the Amplifier shall use Switch Mode Power Supplies (SMPS) for wide input voltage tolerance, reliability, and weight reduction.
- Sound Quality, frequency response, and Vacuum Tube "sound stage" are definitely goals, but output power is the primary goal.
- As with my other builds, Cost will be minimized by using Chinese sourced SMPS's, DAC's etc., as well as surplus Russian tubes, but Quality discrete components will be used in the analog signal path.
Implementation -- How will the above goals be realized?:
Components:
One of the largest costs of a build like this will be in the Audio Output Transformers. There is a vendor on AliExpress selling 100Watt rated tube output transformers. These transformers have a 3.6K primary impedance which is appropriate for the planned design, and 4 and 8 ohm outputs. The seller seems knowledgeable, and provided specifications and detailed descriptions of the materials used and why their transformers are good quality. Even if they are not on a par with something from a company like Edcor, it is important to keep in mind the goals of this project. While the transformers cost far less than custom parts from a US company, there are significant costs to ship (2) 100W audio transformers from China.
Also to keep costs low, I will be using surplus used or NOS tubes. Obviously, I'll need 8 Power tubes for a Stereo Parallel Push Pull (PPP) amplifier in addition to driver tubes. There will be 2 stages of amplification between the inputs and the driver tubes, so we are talking about at least (4) Dual Triode tubes.
For power, I am up to my old SMPS tricks. While power budget calculations are still in work, Inexpensive wide input, 12VDC output SMPS's are available at plenty of current.
The 12VDC will directly power things like the DAC board, Panel and/or visual effects lights, and any 12VDC filaments, as well as other SMPS's to provide High Voltage B+, filament voltage, and bias voltage.
The B+ SMPS will be made from a Chinese inverter module rated at 1000W. The square wave output will be rectified and filtered. The module I am looking at has taps for 220V-330V-380V and 420V output (along with lower voltages) and provides connections for feedback for voltage regulation and.
Tube Compliment:
For low cost and at least some sustainability, the amplifier will utilize surplus Soviet military tubes. To achieve the goal of approximately 100 Wrms per channel, the output stage of the amplifier will be of Parallel Push Pull (PPP) design. This means that the amplifier will use (4) 6P3S-E tubes and (2) 6N8S per channel, for a total compliment of 12 tubes. While 6P3S-E are rated at about 250V, and 20W, I have read that they can take much more. My plan is to run them at whatever voltage I end up with from the 330V or 380V configuration of the above mentioned Inverter board (voltage after rectification and Filtering.) bias them conservatively for a Class AB amp, and take the power I get.
In addition to the power stage, there will be an input stage appropriate for either a balanced or unbalance source (I am still researching if an input switch will be needed.), and a driver stage. My initial research/design seems to indicate that 6N8S (6SN7 Equivalent) should be suitable in both input stages. This also has a few other advantages for the intended use of this amplifier:
- Cosmetics -- All "Big Bottle" (Big Base) Tubes
- More secure base/socket than e.g. a 12AT7
- Affordability / Maintenance
As with my other builds, there will be some sort of visualization. Right now, I am leaning towards VFD VU meters (as opposed to a VFD spectrum display as in my last build), but real moving coil VU meters, LED VU meters, etc. all remain possibilities at this time. It's also possible that it will contain both DJ - Facing visualization, and Audience facing visualization.
It will also have my "Signature" Lime Green painted output transformers, and Rack Mount handles in the front. In other words, it will follow the design clues of my previous builds -- just much larger.
Status:
It will be well into the next year before I can even make a decision to "Pull the Trigger" on this build.
A schematic is in work, and chassis drawings could start as early as tomorrow, assuming that I can get to the chassis in my crowded shop to take measurements.
I am also working on an informal Bill of Materials/Cost estimate.
More details to follow...